Keyboard Magazine compares ten virtual piano collections in a pianos library roundup
The new meaning of heavyweight. Players agreed that EastWest/Quantum Leap has by far the most detailed and biggest-sounding pianos of the bunch. "The dead center of the Bosendorfer's dynamic range sings out for a long time," noted Fortner, "exactly like the real thing, and the nine extra notes below bottom A [a famous feature of the real thing] are just thunderous." Richard Leiter said, "This sounds like a good recording of a good piano. It makes me want to play late 19th Century classical - if I could!" Aikin added, "This'd be loverly for Chopin, but not the patch you'd load for Bach ... or Little Richard." Trying the Steinway, Aikin said, "I'd sit down and play this for pleasure over the Bosendorfer. It's very lively, with just the right combination of depth and brilliance." He was even happier with the Bechstein: "This makes me want to play Mozart. There's a nice singing quality and melodic projection over chords. I have a sense of comfort here, even more than with the Steinway." The Bechstein was also Fortner's favorite for his R&B-derived playing style: "Lean into it, and it doesn't go quite as far as the Yamaha, but the bell-like harmonics you want for pop come forward. Lean back, and it's brooding and mellow. Gorgeous." EastWest/Quantum Leap Pianos stands out because it's the biggest most ambitious sampled piano project ever, with the sound quality to prove it. You'll need a bad-ass computer to play the full-size presets with abandon, but if you have one - wow!
Key Features
- The most detailed piano recordings - EVER!
- Load any piano or mic position individually (each piano is approx. 60Gbs)
- 3 positions are included per piano for maximum flexibility
- 10-18 velocities per note of sustain and sustain with pedal
- 8-12 velocities per note of repetitions and repetitions with pedal
- 5-8 velocities of soft pedal and soft pedal with sustain pedal
- 16 velocity staccato on every piano
- Repetition samples taken from 180 BPM performances for a TRUE repetition sound and not simply an alternate take.
- Software detects true repetitions
- Resonance - pedal resonance recorded for every note at multiple velocities, as well as with the soft pedal down
- Proprietary resonance captured on the Bösendorfer
- Release samples with software envelope follower
- Articulations on each piano include
- a. sustain
- b. sustain with pedal
- c. repetitions
- d. repetitions with pedal
- e. soft pedal
- f. soft pedal with sustain pedal
- g. staccato
- h. release trails
- Recorded in a proper piano environment with vintage Neumann microphones, Meitner AD converters and a vintage 8078 Neve console
- Stereo swap possible in software
- Mic position mixing in software
- Lid position simulation
- Articulation matrix for quick and straightforward loading
- Most powerful streaming engine available with highest polyphony counts
- PLAY interface includes impulses from the same hall the producers used to record Symphonic Orchestra and Symphonic Choirs so the pianos can blend with those collections.
Play
PLAY is a 64-bit** (with 32-bit compatibility) Advanced Sample Engine with built-in Network Control* (plug-in or standalone).
PLAY is Included with all new
EASTWEST/QUANTUM LEAP Virtual (software) Instruments.
As Beautiful As It Sounds
Interface designed to eliminate clutter, including only the controls needed for each individual virtual instrument
QUANTUM LEAP PIANOS: PLAY interface (click to magnify)
Load MORE thanks to 64-bit support**
64-bit support** allows you to load many more instruments and voices, limited only by your system RAM (32-bit support is included also)
While most high-end computers will support 16Gb, a very small set of high-performance enterprise computers (with Microsoft Vista Ultimate) can already use 128Gb of RAM. As hardware develops, the theoretical limit is 17,179,869,184 gigabytes = 16 exabytes, or 17 billion gigabytes!
Networking Support*
If you still need more power, our built-in NETWORK CONTROL allows you to load instruments on other machines controlled from your host computer
No more trips back and forth between computers, no more KVM switching when loading projects
No need to buy additional software
The PLAY system is a professional fully integrated solution for those with the most demanding production requirements
All instruments are listed in one browser
Easy to use browser displays all of your instruments
Favorites section to group the instruments you use most
Preview your instrument of choice in an easy-to-use column viewer
Load instruments into one instance to take advantage of your sequencer's "instrument tracks", or many if you so desire.
Interface automatically changes to display current instrument
Articulations
Forget browsing through complicated patch names: pick the instrument and play
Turn on/off articulations as you wish
Articulations list also serves as reference for all expressions within the instrument (no need to look up key-switches in charts)
Save your favorite configuration for quick retrieval
Legato Detection
PLAY senses legato and repetitive playing and responds accordingly
Stereo Handling
PLAY allows the user to manipulate stereo samples in very useful ways
Stereo Swap allows the user to instantly swap the left and right channels
Mono from left , Mono from right, or Mono Sum allow for instant conversion from stereo to mono
Mic Mixer
Control all mic positions for the orchestra, choirs, pianos, and other instruments with multiple mic positions with the built-in mic mixer (currently included in the QL PIANOS virtual instrument)
Now taken a step further, do it right in the patch
Load, unload, adjust, pan, mute mic positions as you wish
Pick your instrument, and PLAY!
Effects Engine
The best sounding and most powerful effects engine out there, built from the ground up for the highest possible quality
Reverb section includes multiple impulse responses from halls, and the famous EASTWEST studios and live chambers (more RIAA certified Platinum and Gold records awarded than any other studio)
The smoothest filters you'll ever hear
Specialized effects including the first Artificial Double Tracking (ADT) software available
Playback Engine
Highest quality resampling engine
Built from the ground up to create the most intuitive instruments possible. Allowed us to design instruments every step of the way without compromise
Security system
Authorize purchased instruments easily using the industry standard iLok security system
Offers complete portability, take your plugin anywhere you want, use it on any computer
Easy to authorize and manage (up to 100 authorizations on one key)
System Requirements
Up to 263GB Free Hard Disc Space. Each piano can be loaded and used individually:
(Bechstein — 73GB, Bösendorfer — 87GB, Steinway — 58GB, Yamaha — 46GB)
DVD drive
iLok Security Key, not included (a free soundsonline.com account is required for retrieving and managing iLok licenses)
If you do not own an iLok Security Key you can purchase one at your local authorized EASTWEST retailers, or here.
More details about the new iLok copy protection for our PLAY SYSTEM powered products is available here
MINIMUM REQUIREMENTS FOR MAC
G5, 2GB RAM, Mac OS 10.4 or higher
RECOMMENDED MAC SYSTEM
Core 2 Duo 2.5Ghz or faster processor, 4GB RAM
MINIMUM REQUIREMENTS FOR PC
P4 2.5Ghz or faster, 2GB RAM, Windows XP SP 2 or Vista, sound card with ASIO drivers
RECOMMENDED PC SYSTEM
Core 2 Duo 2.5Ghz or faster processor, 4GB RAM, sound card with ASIO drivers, 64-bit OS and host
INCLUDED FOR BOTH PC & MAC:
32-bit standalone and plug-in versions included.
64-bit PC VST (host must support 64-bit VST plugins) and standalone versions included.
Check the following compatibility chart for availability of other 64-bit versions and updates.
SUPPORTED INTERFACES
WIN: VST™, ASIO™, DirectSound™, RTAS
MAC: VST™, Audio Units™, Core Audio™, RTAS
Answers to the most common questions regarding
PLAY and our new iLok security key is available in our
Support FAQ.
*This feature will be available after release as a free download for all registered users.
**MAC 64-bit support will be announced after the release of MAC OS X (10.5 Leopard)