Overview
“Across the board EWQLSOs samples have a fatness to them that other libraries don't quite capture. Ultimately, the level of warmth and detail in the recordings, multiple mic perspectives, flexible ensemble sizes, and wide range of articulations make EWQLSO an obvious choice for anyone whose goal is to produce ultra-realistic MIDI mockups.”
— KEYBOARD (Orchestral Library Roundup)
“A big, bountiful, powerful, expressive, sonically superior collection of top-quality orchestral sounds, recorded in a first-class concert hall, played, recorded and programmed by expert practitioners, waiting to burst into life in your compositions.”
— SOUND ON SOUND
“EWQLSO is a major success and I really enjoyed working with it. The production room and recording gave it a great finished sound out of the box. The ‘room’ sound and reverb trails can't be matched, even with the best convolution reverbs available.”
Recorded by 11-time Grammy nominated classical recording engineer Prof. Keith O. Johnson, the EASTWEST/QUANTUM LEAP SYMPHONIC ORCHESTRA is the most awarded orchestral collection ever, and the only orchestral collection to be recorded in a "state of the art" concert hall where orchestras mainly perform.
— MIX
To achieve the feel of a live concert hall performance, each instrument and section was recorded with three mic positions, close, stage (conductor‘s position) and hall. By selecting different mic positions, users can mix these sounds together to create any kind of natural ambience their project requires. This eliminates the need for artificial reverb.
The EASTWEST/QUANTUM LEAP SYMPHONIC ORCHESTRA eclipses all others with the highest level of fidelity and realism. Get that big "Hollywood Sound" film/tv/games directors and producers seek "out of the box", no other orchestral collection comes close or is as easy to use!
New Features
Four versions available:
EWQLSO PLATINUM COMPLETE PLUS 24-BIT AND 16-BIT (194GB)
EWQLSO PLATINUM COMPLETE 24-BIT (117GB)
EWQLSO GOLD COMPLETE 16-BIT (33GB)
EWQLSO SILVER COMPLETE 16-BIT (11GB)
64-bit* with 32-bit compatibility PC (*see system specifications)
Full memory access MAC (requires 64-bit MAC)
Mac Intel compatible
Intuitive custom interface
Intelligent Performance section including Portamento, Repetition, Legato, Round Robin Reset
Improved articulation window and controls
On screen mic position mixing (Platinum and Platinum Plus only)
Switch able 24-bit/16-bit depth (Platinum Plus only)
State of the art Convolution Reverb with pre-delay and additional Master control to route reverb to all instruments in an instance
Convolution includes hall orchestra was recorded in for additional control of hall ambience
Intelligent release trail engine that follows the note-on samples volume at all times, so release trails always match
Release trails unaffected by mod-wheel cross-fade programs, radical mod-wheel movements do not degrade release trails
Recall custom key-switches instantly
Key-switch sizes now unlimited
Improved sound quality with high-resolution audio engine
Hi fidelity one pole filter for natural cross-fades
Stereo image editing now possible using channel sourcing
Licenses included to install each section on multiple computers (Platinum and Platinum Plus, ilok required for each computer)
Original and Pro XP expansion combined into "complete" PLAY version
Silver to Gold to Platinum to Platinum Plus compatibility streamlined
Completely re-programmed for PLAY from the original recordings
The Way an Orchestra Should Sound
Beyond the orchestra's phenomenal recording quality is its ability to breathe life into the virtual world, creating a real space and filling it with sound. In the past, this meant adding reverb and effects, further digitizing and degrading the overall quality of your music. EASTWEST/QUANTUM LEAP accomplish this through separately recording the natural hall ambience after the instrument has stopped playing until the sound has actually ceased. The software triggers this "release trail" at the end of every note and adjusts the dynamics so that the samples blend seamlessly, truly placing the listener in the hall with the orchestra.
Each instrument and orchestral section is chromatically sampled at three different mic positions (close, stage and hall) allowing you to mix together instantly within the included PLAY sampler (PLATINUM and PLATINUM PLUS versions only) any combination for the ultimate in real-time tone and ambience control.
Play
PLAY is a 64-bit** (with 32-bit compatibility) Advanced Sample Engine with built-in Network Control* (plug-in or standalone). PLAY is Included with all new EASTWEST/QUANTUM LEAP Virtual (software) Instruments.
Multiple Mic Positions
All instruments were sampled with three different mic positions, allowing you to mix together any combination of mics using the interface for the ultimate in real-time tone and ambiance control. This feature enables users to customize the sound of the orchestra to their own requirements.
Please note: while most computers suitable for running professional music software will run one of the mic positions (what you typically get with other orchestra libraries), you may need a more advanced system to have all options available.
Mic Mixer
Control all mic positions for the orchestra, choirs, pianos, and other instruments with multiple mic positions with the built-in mic mixer
Now taken a step further, do it right in the patch
Load, unload, adjust, pan, mute mic positions as you wish
Load MORE thanks to 64-bit support**
64-bit support** allows you to load many more instruments and voices, limited only by your system RAM (32-bit support is included also)
While most high-end computers will support 16Gb, a very small set of high-performance enterprise computers (with Microsoft Vista Ultimate) can already use 128Gb of RAM. As hardware develops, the theoretical limit is 17,179,869,184 gigabytes = 16 exabytes, or 17 billion gigabytes!
Networking Support*
If you still need more power, our NETWORK CONTROL* allows you to load instruments on other machines controlled from your host computer
No more trips back and forth between computers, no more KVM switching when loading projects
No need to buy additional software
The PLAY system is a professional fully integrated solution for those with the most demanding production requirements
As Beautiful As It Sounds
Interface designed to eliminate clutter, including only the controls needed for each individual virtual instrument
All instruments are listed in one browser
Easy to use browser displays all of your instruments
Favorites section to group the instruments you use most
Preview your instrument of choice in an easy-to-use column viewer
Load instruments into one instance to take advantage of your sequencer's "instrument tracks", or many if you so desire.
Interface automatically changes to display current instrument
Articulations
Forget browsing through complicated patch names: pick the instrument and play
Turn on/off articulations as you wish
Articulations list also serves as reference for all expressions within the instrument (no need to look up key-switches in charts)
Save your favorite configuration for quick retrieval
Legato Detection
PLAY senses legato and repetitive playing and responds accordingly
Stereo Handling
PLAY allows the user to manipulate stereo samples in very useful ways
Stereo Swap allows the user to instantly swap the left and right channels
Mono from left , Mono from right, or Mono Sum allow for instant conversion from stereo to mono
Playback Engine
Highest quality resampling engine
Built from the ground up to create the most intuitive instruments possible
EastWest/Quantum Leap now design instruments every step of the way without compromise
Effects Engine
The best sounding and most powerful effects engine out there, built from the ground up for the highest possible quality
Reverb section includes multiple impulse responses from halls, and the famous EastWest Studios and live chambers (more RIAA certified Platinum and Gold records awarded than any other studio)
The smoothest filters you'll ever hear
Security system
Authorize purchased instruments easily using the industry standard iLok security system
Offers complete portability, take your plugin anywhere you want, use it on any computer
Easy to authorize and manage (up to 100 authorizations on one key)
Platforms and Hosts
AU, VST, Standalone, Intel Mac, PPC Mac, Windows XP and Vista, 64-bit, 32-bit
Natively supported in all major hosts on all major operating systems - PLAY no matter what your platform
More native support than any other plug-in
Standalone: PLAY as many instruments as your computer can handle in one application
Summary
PLAY isn't just a sampler. The PLAY SYSTEM is a professional, fully integrated sample playback software solution for those with the most demanding production requirements.
Offers native support for more platforms than any other software engine
Network support* for large, expandable systems
The latest in technology (64-bit**, supports next generation operating systems)
The highest sound quality (ground-up effects, highest quality interpolation)
The best virtual instruments from the multiple award-winning EASTWEST/QUANTUM LEAP producers
The most intuitive controls, custom designed for each library
Complete portability
*Network support will be available after release.
**MAC 64-bit support will be available after release as a free download for all registered users.
**MAC 64-bit support will be available after release as a free download for all registered users.
Awards
EQ Magazine EXCEPTIONAL QUALITY award
Keyboard Magazine KEY BUY award
G.A.N.G. (Game Audio Network Guild) BEST SOUND LIBRARY award
Computer Music Magazine PERFORMANCE award
David Newman
“I compose music for feature films. I come from a classical background and my music is primarily for the orchestra with additional electronic elements when appropriate. When I compose, I have a full orchestra loaded into samplers. The cost of it really isn't an issue for me, because when I need to do the orchestral mock-ups I need to have the best sounding, most expressive orchestral instruments I can find. The big issue I have had with orchestral sample libraries in the past has been the way they were recorded. Most of them were close mic'ed and not in a proper environment for an orchestra. No matter how much reverb you put on those recordings, they never sound good. The EWQLSO recordings are excellent and sound the way a real orchestra sounds in a hall or sound stage. The sounds are inspiring to play because they sound so good. Simply put: EWQLSO is now the best sounding orchestral library on the market!”
— DAVID NEWMAN
DAVID NEWMAN has written the music for more than 100 motion pictures. Nominated for an Academy Award® for his score for Anastasia, Newman has composed music for such films as Ice Age, Heathers, How to Lose a Guy In 10 Days, Other People's Money, Galaxy Quest, The Freshman, Cat in the Hat, Daddy Day Care, The Nutty Professor, Scooby-Doo, Scooby-Doo 2: Monsters Unleashed, Life or Something Like It, The Affair of the Necklace, Dr. Doolittle 2, Honeymoon in Vegas, Are We There Yet? and most recently, Monster-In-Law, and Serenity. Newman has enjoyed a longstanding working relationship with director Danny DeVito, having scored the films The War of the Roses, Hoffa, Death to Smoochy, Duplex, Matilda, and Throw Momma From the Train. Newman is the son of legendary composer Alfred Newman, brother of composer Thomas Newman and cousin of Randy Newman. He most recently conducted the Los Angeles Philharmonic in a series of concerts where he performed music from classic films about Los Angeles. In addition, his classical-music composition “Songs of My Father” which is based of themes of his father‘s, was commissioned and performed by the Indianapolis Symphony.
Pro User Reviews
“There are a lot of orchestral libraries on the market, but EWQLSO is the only one I really trust sonically for finished products. When I heard a score I had done using EWQLSO played in a movie theater, I couldn't believe how great it sounded over those massive speakers!”
“It's difficult to describe my enthusiasm about Gold in one sentence. The FX patches, the qlegato and inclusion of all the platinum articulations has made this the number one library for me. Don't know what else to say; I'm your biggest fan. Just keep doing what you are doing.”
“As a composer working in the computer games industry, Im often working to tight deadlines and turnaround times. I couldnt meet my schedule without a library like EWQLSO. It sounds first class, right out of the box, and I find I dont need to do any panning or EQing - trying to make instruments sit in the mix.”
“The Platinum library has improved the sound of my productions 1000%. The emotional quality of the samples make my compositions sing and really show how much sweat and love were put into the creation of the library.”
“As choir director, I need an orchestral sample set that exudes realism and impact, since our broadcasts cover the globe by radio and internet...I'm pleased to report that Pro XP fits the bill quite exquisitely!”
“EWQLSO, not only your orchestra, it is also your personal sound engineer!”
“While it's not exactly miraculous these days to have access to good orchestral samples, it seems nothing short of miraculous to me to have this level of quality and realism available at my fingertips. There is simply no other library - at any price - that compares with the overall sound, usability and capability of EWQLSO. And of course the "Pro" expansions take the product so far into the next realm that the competition might as well pack up and go home!”
Reviews
“IT'S SYMPH-LY THE BEST - 10 OUT OF 10”
— COMPUTER MUSIC (PERFORMANCE AWARD)
“Across the board Pro XP's samples have a fatness to them that other libraries don't quite capture. Ultimately, the level of warmth and detail in the recordings, multiple mic perspectives, flexible ensemble sizes, and wide range of articulations make Pro XP an obvious choice for anyone whose goal is to produce ultra-realistic MIDI mockups.”
— KEYBOARD (Orchestral Library Roundup)
“A big, bountiful, powerful, expressive, sonically superior collection of top-quality orchestral sounds, recorded in a first-class concert hall, played, recorded and programmed by expert practitioners, waiting to burst into life in your compositions”
— SOUND ON SOUND
“EWQLSO is a major success and I really enjoyed working with it. The production room and recording gave it a great finished sound out of the box. The ‘room’ sound and reverb trails can't be matched, even with the best convolution reverbs available. Anyone interested in adding sampled orchestral sounds to their productions would have to consider this terrific library”
— MIX
“The EASTWEST/QUANTUM LEAP SYMPHONIC ORCHESTRA samples are now the core of my template. No other orchestral samples have achieved this level of realism and fidelity. I can actually hear my compositions come together as I write them, because EWQLSO has the sound of a world class orchestra, right out of the box. It's a whole new world. I’m loving it!”
— DAVID NEWMAN (Award Winning Composer of over 100 films)
“As the musical director and keyboard player for Paul McCartney I need to use the best orchestral sounds available and I have found them in the EASTWEST/QUANTUM LEAP SYMPHONIC ORCHESTRA Sample Library.”
— WIX WICKENS (Musical Director/Keyboards - PAUL McCARTNEY)
“With millions attending CIRQUE DU SOLEIL shows each year, we demand the very best music creation tools available - and like an exquisite fine wine, the EASTWEST/QUANTUM LEAP SYMPHONIC ORCHESTRA is not just a bunch of fake sounding samples, but a REAL ORCHESTRA AT YOUR FINGERTIPS!”
— RENÉ DUPÉRÉ (Composer - CIRQUE DU SOLEIL)
“This is a beautifully recorded (and expensive sounding!) orchestra and to have it at your fingertips at the compositional level is quite remarkable and that is before you even consider the way you are able to shift and blend microphone positions to suit the mood of the job in hand. Virtual is not a word I use very often but the Symphonic Orchestra is virtually perfect!”
— PAUL HARTNOLL - ORBITAL
“EWQLSO is a must-have product for the professional orchestral composer.”
— THE GUIDE TO MIDI ORCHESTRATION
“A moment or two with the manual is enough to convince anyone with an interest in recording techniques that this is a very serious undertaking. Talk about going the whole nine yards: these guys are purists to the point of obsession. I can't compare this to every orchestral sample library on the market but if there's a better one I'll be amazed.”
— SOUNDGENERATOR.COM
“In short, this is a staggering library, and it is a rare treat that we see such a well planned and thought out product come to fruition in this way. The recording quality is simply exquisite.”
— MUSIC4GAMES.NET
System Requirements
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Up to 194GB Free Hard Disc Space
DVD drive
iLok Security Key, not included (a free soundsonline.com account is required for retrieving and managing iLok licenses)
If you do not own an iLok Security Key you can purchase one at your local authorized EASTWEST retailers, or here. More details about the new iLok copy protection for our PLAY SYSTEM powered products is available here |
Mac
Minimum Requirements
G5 processor
2GB RAM
Mac OS 10.4 or higher
Recommended System
Core 2 Duo 2.5Ghz or faster processor
4GB RAM
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PC
Minimum Requirements
P4 2.5Ghz
2GB RAM
Windows XP SP 2 or Vista
Sound card with ASIO drivers
Recommended System
Core 2 Duo 2.5Ghz or faster processor
4GB RAM
64-bit OS and host
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Included for Both Mac and PC
32-bit standalone and plug-in versions included.
64-bit PC VST (host must support 64-bit VST plugins) and standalone versions included.
Check the following compatibility chart for availability of other 64-bit versions and updates. 
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Supported Interfaces
WIN: VST™, ASIO™, DirectSound™, RTAS
MAC: VST™, Audio Units™, Core Audio™, RTAS 
Additional information about PLAY and the iLok security key is available in our Support FAQ. |
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